A Nagano Winter Wedding: Time Enough to Be Together

The bride and groom stand small on a dry winter hilltop under a pale sky on their Nagano winter wedding day, the snowy Northern Alps in cloud behind.

The bride’s clearest wish for this Nagano winter wedding was that she would have enough time with their friends. In a planning email, she worried about the days feeling rushed; the more time they could have together, the better. They were bringing people from across the world to Japan, and she wanted to be properly there with them.

She’s from Singapore, he’s from the UK, and they live in Perth, where the oil, gas and mining industries draw people from all over the world. Their own circle of friends reflected that international life. Coming to Japan was another adventure for the group, with a marriage at its centre and two days in which to enjoy one another’s company.

We grew very fond of these two. There was so much curiosity in the way they approached the world, and such care in the way they wanted their friends to experience this part of it. Before there were rings to exchange or a ceremony to attend, there was the question of how to make the journey worthwhile for everyone coming.

The Mountains He Wanted to Share

He is a geologist who loves rocks and searches out the kind of backcountry trails most people never find. He had roped her into snowboarding too, so the mountains had become a place they knew through each other as well as through their own experience. This was where they wanted to begin: with an enthusiasm that had already travelled from one person to the other, and could now become part of the adventure they were sharing with their friends.

Low cloud drifts across a wooded ridge above Nozawa Onsen, the cedars below heavy with fresh snow, on the first morning in Nagano in winter.
The groom carves a turn on his snowboard through thick fog on the groomed slopes of Nozawa Onsen, the day before their Nagano winter wedding.
The couple climb a snowy slope above Nozawa Onsen with their snowboards, footprints behind them and snow-laden cedars below the ridge.

We began on the groomed slopes above Nozawa Onsen, in northern Nagano, with snow-heavy cedars and low cloud around them. Carrying their boards up together, they were bringing that part of themselves into the days they would spend with their friends. Snowboarding in Japan gave their wedding a beginning that already belonged to the life they enjoyed together.

The couple walk hand in hand along a groomed slope at Nozawa Onsen carrying their snowboards, fog lifting off the snowy mountain ahead of them.
The couple stand small on their snowboards beneath a wall of towering cedars heavy with snow, a morning of snowboarding in Japan at Nozawa Onsen.
The couple ride their snowboards across a groomed run at Nozawa Onsen, a wall of snowy cedars behind them and light snow starting to fall.

There was a snowball fight, and he lifted her off her feet. They had the freedom to be this playful with each other on the way to something so significant. Getting married can bring unfamiliar expectations about how to behave; these two had brought along something they already knew how to enjoy.

The couple rest on their upright snowboards under branches heavy with snow as it falls, a day of snowboarding in Japan before their wedding.
A snowball bursts against the groom's raised glove as the bride laughs in deep snow at Nozawa Onsen, cedars and bare branches white behind them.
The groom swings the bride off her feet in a snowy forest at Nozawa Onsen, branches white with fresh snow arching over them in Nagano in winter.

Nozawa Onsen also makes winter an unusually intimate encounter with the earth. Above the village, it is snow and cold; down in the lanes, hot-spring steam rises between the buildings, with public bathhouses, or soto-yu, part of village life. After the slopes, they changed into camel coats and walked through that warmth rising into the winter air. For a couple drawn to the outdoors, the place offered a whole relationship with the season, extending well beyond the mountain.

The couple walk hand in hand in camel coats down a lane of Nozawa Onsen village, snowy pines on both sides and every roof under snow.
Hot spring steam drifts behind the couple as they walk arm in arm up a snowy lane in Nozawa Onsen, past a tall shop sign for onsen manju.

A House Built to Receive Travellers

The group travelled on through Matsumoto, stopping for soba and visiting Matsumoto Castle, whose black keep is a National Treasure. They encountered people in samurai armour there, then continued towards a house with its own connection to the lords who once ruled from the castle. The city’s history would follow them into the place where they were to sleep.

Satoyama villa Honjin stands in Hofukuji, in Matsumoto’s Shiga district, looking across the basin towards the Northern Alps. It was the honjin of Hofukuji-juku, the official inn where the lords of Matsumoto rested while travelling to and from Edo. Those journeys formed part of sankin-kōtai, the system of alternate attendance that required feudal lords to spend periods in the shogun’s capital.

The couple embrace beneath the curved roof of the formal entrance at Satoyama Villa Honjin, a bamboo blind behind them brushed with the word honjin.

The earlier house burned in 1908. Rebuilt in its old form in 1913, the present building retains the scale and arrangement of a place made to receive travellers and their retinues. Its broad gable and massive zelkova beams give that history substance, while the kura storehouses and rooms around the great central space allow people to gather and withdraw, to be together without being constantly on display.

The groom kisses the bride's head on the small upper balcony of the white gable at Satoyama Villa Honjin, a Nagano wedding venue in Matsumoto.
The couple stand against the lattice wall of a kura storehouse at Satoyama Villa Honjin, its heavy wooden shutter open beside the groom.

We love that this house is still being used to welcome people. Its history becomes more immediate when you sit down to a meal here and wake beneath its roof, taking part in the ordinary acts for which such an extraordinary building was made. For this group, who stayed together for one night, an old stopping place on the road to Edo became the address at which their separate journeys met.

The bride and groom walk hand in hand across the courtyard of an old Japanese farmhouse in Matsumoto, past lattice walls and a round paper lantern.

That mattered to the wedding. Their friends could settle into the same house and remain part of one another’s company between the things we had arranged. A conversation could find its way from the pottery lesson to dinner and still have somewhere to continue the next morning.

The People Who Made the Welcome

That afternoon, a local pottery master came to teach the group at the wheel. Everyone made something different, each person discovering how their own hands responded to the clay. In a house whose existence depended on the judgement and skill of earlier craftspeople, there was something particularly fitting about spending time learning from someone who had devoted years to making things.

A narrow band of low winter sun falls across the groom's eyes in near darkness, his camel coat in shadow, on day one of a multi day wedding in Japan.
A pottery master in a denim apron shows the groom and a friend how to shape clay at the wheel during a pottery lesson in Nagano.
The pottery master's hands shape a grey clay cylinder on a turquoise wheel, his denim apron and watch close to the work.

We wanted this Nagano winter wedding to bring the group into contact with the people who give the region its character. The pottery master, the chef who cooked dinner and the people who shared the food traditions were part of the welcome itself. Our planning work depends on those relationships, and on recognising how much another person’s knowledge and enthusiasm can contribute to a gathering.

A guest's hands, a ring on one finger, finish a clay cup on a turquoise wheel at the pottery lesson before the wedding in Nagano.
Friends bend over their pottery wheels along one long table inside the old house, lamps glowing and red curtains at the windows.
Low winter sun flares through bare trees as the bride rests her head on the groom's shoulder in their camel coats, in the hills of Matsumoto.

At the long dinner inside the house, a chef prepared course after course for the group. Someone offered the couple a thank-you that reached directly into the purpose of the whole trip: “Thank you for your vision to bring everyone together.” We had heard the wish for more time during planning; now we were hearing what that decision meant to someone who had been invited.

Satoyama villa Honjin lit from within at blue hour, its big gable and garden trees glowing before the welcome dinner in Nagano.
The chef plates a course of small dishes for the welcome dinner, the white plates lined up on the counter before they go to the table.

Friends who live internationally become practised at maintaining closeness across distance, but there is a particular pleasure in having enough time to stop catching up. A long dinner can move beyond the account of what has happened since you last met into the easy, less purposeful conversation of being in one another’s lives again. With everyone staying at the house, the couple had made room for that possibility.

They had told us they weren’t romantic. We were happy to let the snowboarding, the dinner and the care they had taken over their friends explain what they meant. Later, beneath a bare tree lit gold against the night, we had a little time with just the two of them, within a celebration whose affection extended far beyond the couple at its centre.

The couple walk arm in arm beneath a great bare tree lit gold against the night sky, the evening before their Nagano winter wedding.

A Nagano Winter Wedding With Time Around It

The next morning, they got ready in different parts of the house: his green suit and her long-sleeved lace dress belonged to a more formal part of the occasion now. We had already spent a day with the people inside those clothes. That familiarity matters to us, because the significance of seeing someone ready to marry grows from knowing a little of the person who has arrived at that moment.

Three gold wedding rings side by side, a hammered band, a fine ring set with a round clear stone and a narrow band engraved with a star pattern.
The green suit jacket and long sleeve wedding dress hang side by side from the eaves of Satoyama Villa Honjin, an old Japanese farmhouse in Matsumoto.
The groom getting ready by a tall timber window in a green tweed waistcoat and coral tie, at Satoyama Villa Honjin for a Nagano winter wedding.

Their ceremony took place outside beside the house, beneath a bare tree, with the Northern Alps beyond. Her best friend led it, and the long walk down the aisle brought the bride towards people with whom she had already shared the journey, the meal and the night under one roof. The gathering had a life together before it took its seats.

The groom shrugs on his green wedding suit jacket over the waistcoat, an empty wooden hanger behind him and lit shoji screens at his side.
The bride getting ready in a long sleeve lace wedding dress in a tatami room at Satoyama Villa Honjin, her bouquet on a wooden chest in the light.
The bride turns in a tatami room of the old honjin, her chiffon skirt flaring and the open lace back of her dress lit from high barred windows.

We felt the generosity of that. A wedding asks friends to witness a change in two people’s lives, and these two had given them time to feel involved in everything surrounding it. By the kiss and the confetti, the celebration already held a whole day of companionship that belonged to the guests as well as to the couple.

The bride and groom share their wedding kiss beside a bare tree hung with white fabric as friends clap, the snowy Northern Alps behind them in Nagano.
Friends throw green petal wedding confetti as the bride and groom walk out under a bare tree hung with white fabric at their Nagano winter wedding.

The landscape helped give the occasion its particular place in their lives. We have seen Nagano’s mountains in winter at Hakuba and the countryside around Matsumoto in spring, and each visit reveals different ways to spend time here. For these two, a wedding in Nagano could hold the exhilaration of snowboarding and the intimacy of an old house within the same celebration.

Winter Measured More Closely

For a winter wedding in Japan, choosing the season means considering how you want to inhabit it. Their two days reached from the deep snow of Nozawa Onsen to mostly bare ground and dry grass beside the house, with the white peaks held further away. Coats were necessary; warmth became something people sought and shared.

The bride and groom walk hand in hand through dry winter grass on a hilltop, the snowy Northern Alps in haze behind them on their Nagano wedding day.

Japan’s traditional calendar of seventy-two micro-seasons gives late January the name sawamizu kōri tsumeru, when ice thickens on streams. We are drawn to the attention within that description. It asks you to recognise a short passage of time through something happening close at hand, to give a few days their own identity within the much larger idea of winter.

His profession considers landscapes over immense stretches of time; this old house measures its history in centuries. Their friends had two days together here. Beside those longer histories, the visit was brief, yet it contained experiences specific enough to be remembered individually: the lesson at the wheel, the dinner, the wedding, the taste of something warm after being outside. We find that deeply reassuring in the work we do, this capacity for a short time to become a substantial part of someone’s life.

What They Shared Around the Hearth

After the ceremony came mochitsuki, pounding steamed rice into mochi with a wooden mallet, then eating it together. The couple took part side by side, guided by the people sharing the tradition with them. Afterwards, the bride wrote about how much she had loved learning about it and the enthusiasm with which it had been offered.

The bride and groom swing a wooden mallet together over a stone mortar for mochitsuki, mochi pounding, as a hand in a red kimono turns the rice.

Sweet potatoes cooked in the irori, the sunken hearth, were handed around wrapped in foil, and there was sake. After the fine dining of the previous evening, this was another expression of being looked after, immediate and suited to the cold. The old house continued to offer the group ways to gather, now around food whose warmth they could hold in their hands.

Sake flasks warm in an iron pot over the embers of the irori, with sweet potatoes wrapped in foil roasting in the ash beside them.
Iron tongs lift a foil wrapped sweet potato out of the ashes of the irori, the sunken hearth of the old house in Nagano.
A gloved hand holds up a steaming split sweet potato fresh from the hearth, a warm moment at a winter wedding in Nagano.

One toast supplied a wonderfully human measure of how much company they had kept: “We can’t possibly make eye contact with all of us, so I think we made the eye contact already.” By then, attention had been given across a dinner table, during a lesson, out on the mountain and beside the ceremony. The wish she had written to us about had become something shared among the people in the room.

A small group of friends and a baby cheer with the couple in front of the white gable of Satoyama Villa Honjin after an intimate wedding in Japan.

Returning to Their Two Days

We planned, photographed and filmed this Nagano winter wedding, and the film gives the couple a way back into the company they gathered. They can spend time again with their friends’ laughter, with the pleasure of learning something together and with the person they married enjoying a mountain long before the ceremony began. It preserves the familiarity around the occasion, the time they had been so determined to make for everyone.

Eventually, they all left the house and returned to lives that would put distance between them again. For a little while, though, their friends had shared an address in the Japanese mountains. They could remember the same rooms, the same meal, the same winter, and find one another there whenever the conversation returned to the wedding.

The couple sit close on a wooden window bench in a tatami room of the old honjin, soft side light on the plaster walls and a sliding fusuma door.

We keep thinking about her wish for more time. There was such affection in it, and such a clear understanding of what becomes precious when the people you love are spread across the world. In a house built to receive those who had travelled a long way, she and the man she married gave their friends somewhere to arrive, and enough time to feel they had.

  • The couple snowboard down a groomed run at Nozawa Onsen ski resort, a gondola and chairlift climbing the snowy mountain behind them.
  • The bride laughs with snow in her hair and goggles on her beanie under branches heavy with snow as it falls, a winter morning at Nozawa Onsen.
  • The groom lifts the bride off her feet into a kiss on the groomed snow at Nozawa Onsen, her boots kicked up and snowy cedars soft behind them.
  • The groom leads the bride down a groomed run at Nozawa Onsen, snowboarding in Japan with a chairlift and cedars heavy with snow behind them.
  • Snow sprays between the couple in a snowball fight in deep powder at Nozawa Onsen, the bride laughing as the groom flings his arms wide.
  • The couple hug and laugh in a forest of cedars and bare branches heavy with snow in Nagano in winter, the day before their wedding.
  • The groom kisses the bride's forehead as they stand in deep snow in a forest clearing, cedars and bare branches around them white with fresh snow.
  • A lone tree coated in fresh snow stands in thick fog on the slopes above Nozawa Onsen, deep powder at its foot and white branches reaching in.
  • The bride looks back over her shoulder in a tatami room of the old honjin, an old tansu chest and a paper lantern beneath high barred windows.
  • The couple embrace on the step of the old honjin entrance before a bamboo blind brushed with characters, old snow on the gravel in the foreground.
  • The bride and groom stand close in the garden of Satoyama Villa Honjin, a clipped tree and tiled roofs behind them, a destination wedding in Japan.
  • The bride laughs up at the groom as they stand hand in hand in the gravel courtyard of an old Japanese farmhouse, a patch of old snow at their feet.
  • The couple stand small against the weathered lattice wall of a kura storehouse between heavy open shutters, at a Nagano wedding venue in Matsumoto.
  • The bride and groom stand hand in hand on a hilltop of dry grass, snowy peaks of the Japanese Alps in low cloud behind them in Nagano in winter.
  • The couple walk across a hilltop of dry winter grass beneath a wide pale sky, a jagged snowy range in cloud behind them, a winter wedding in Japan.
  • The couple stand on a narrow wooden walkway inside the old honjin, black steel railings, shoji screens and bare bulbs around them in the dim light.
  • The couple sit foreheads together on a wooden window bench in soft side light, a paper lantern blurred in the foreground inside Satoyama Villa Honjin.
  • The couple sit foreheads together on a window bench in a plaster alcove of the old honjin, two white fusuma doors filling the wall beside them.