The bride and groom stand close among tall pines and fresh snow at their ANELLI Karuizawa wedding.

A Little Bit of Snow: An ANELLI Karuizawa Wedding

At first, she couldn’t decide between Mt Fuji and Karuizawa.

Fuji had the mountain. Karuizawa had, in her words, “a little bit of snow.”

Karuizawa won. The day before the wedding, 27 centimetres of it fell on the town.

By then, Japan had been home for years. They lived and worked here. But their ANELLI Karuizawa wedding fell in February 2022, when most of the people they loved overseas still could not enter the country.

So the friends who could be there came up to the mountains.

About a hundred more arrived on a 65-inch screen.

Her original brief had been wonderfully small: “My groom and I will give our vows in front of our friends with a beautiful background of Japan.” Then dinner somewhere nearby.

It became rather more than dinner.

Fresh snow on the pines and a low mountain under cloud on the morning of a Karuizawa winter wedding in February.

A Karuizawa Winter Wedding, Close to Home

Karuizawa has long offered Tokyo a change of climate without requiring a change of country.

For centuries it was a post town on the Nakasendo, the old highway between Edo and Kyoto, sitting just beyond the difficult climb of the Usui Pass. In 1886 a Canadian-born missionary, Alexander Croft Shaw, came up from Tokyo, was taken by the cooler air and the landscape, and began encouraging friends and their families to spend their summers there too.

The resort town that followed is still best known for summer, and autumn makes a compelling case for itself as well. February is another Karuizawa entirely. Bare trees, short days, air cold enough to sharpen everything around it, and, if the weather agrees, snow.

For these two, that was the attraction.

They were not coming to Japan for their wedding. They were already here. They were simply taking the life they had built in the city and moving it into the mountains for a night.

The Morning After 27 Centimetres

The overnight temperature had fallen to around nine below. By morning the sky was clear, and the view from The Prince Karuizawa, where they got ready, had been completely rewritten. A golf course lay somewhere beneath the snow.

You could no longer really tell.

The groom and two friends talk at a low table by a window full of snow-covered trees, getting ready at The Prince Karuizawa.

The groom and his friends took the table beside the window. His bow tie required two of them, which seems a reasonable allocation of resources for a bow tie.

In black and white, two friends adjust the groom's bow tie on the morning of his winter wedding.
  • Two friends fix the groom's bow tie as he gets ready in the hotel room.
  • A friend helps the groom into his dinner jacket beside the window.
  • In black and white, the groom straightens his cuffs while a friend raises a hand in the background.
  • The groom fastens his cuffs in his tuxedo as two friends look on, laughing.
  • The groom and two friends in bow ties laugh together before the ceremony.
  • A black and white profile of the groom in his bow tie, smiling, half in shadow.
  • The groom smiles as he reads a card in the hotel room before the wedding.

There was no formal bridal party. Her friends wore matching white robes and drank something pink from glasses while she got ready.

The bride's friends in matching white robes laugh together with glasses of rosé before a winter wedding in Japan.
  • Make-up in front of a hotel mirror on the wedding morning, the bride's friends still in their white robes.
  • A woman in a white robe opens a bottle of pink champagne on the wedding morning.
  • Friends in white robes raise their glasses and laugh on a snowy wedding morning in Karuizawa.
  • Six friends in white robes crowd together on the bed, laughing, with rosé in their glasses.

Before either of them was dressed, though, the two of them stood together at the window and looked out at the absurd quantity of snow.

The couple hold hands at a tall window, looking out at deep snow and white trees before getting dressed.
The couple kiss in front of a snowbound landscape before the wedding, framed by the window.

There were gifts later, his to her opened by the window. And there was the light. Snow does something very particular to a winter interior. Instead of falling only from the sky, light comes back up from the ground, and rooms that would normally be dark in February become soft and bright from below.

A gift from the groom, tied with a red ribbon, rests on the bride's lace wedding dress as she opens his card in the window light.
The groom's boutonnière is pinned on by the window on a snowy wedding morning.

The People Who Could Be There

ANELLI Karuizawa is a wedding house in the forest a short drive from the station, taken over by one wedding at a time. They married in its glass-walled chapel, with the winter forest on every side.

She walked herself down the aisle. The friends who had made the journey to Karuizawa were there in the chapel.

And beside the couple was the screen.

Around a hundred people joined from elsewhere. In another year, many of them might have been in the room. In February 2022, they couldn’t be. The screen was how they got there. Parents, family and friends who could not cross the border still heard the vows, and some of them would speak later. They were part of the room the couple had assembled as best they could.

A wedding is usually defined partly by who is present. That year required a slightly broader understanding of presence.

Out Into the Cold

Afterwards, everybody went outside.

Briefly.

The couple’s colours were pink, emerald green and black, all of them vivid against the snow. Heavy coats appeared. A small child stood at the front in a padded jacket. And in one frame, three couples kissed at exactly the same time.

The couple at the centre of a large group of friends and children in the snow at ANELLI Karuizawa.

Look at the group outside and you are looking at the life these two had made in Japan: friends and couples who had come up into the mountains in February to stand cheerfully in the snow for a photograph.

Not everyone they loved could reach Karuizawa. But these people could.

And they came.

Guests in coats over silk gather around the couple outside after their ANELLI Karuizawa wedding, snow piled behind them.
The bride and groom kiss as friends around them laugh and cover their mouths in surprise.
  • The whole wedding party stands together in the snow with the bride in a white stole and the groom in black tie.
  • The couple kiss in the middle of the group photo, guests laughing on either side.
  • Guests look up and laugh together around the bride and groom outside in the cold.
  • In black and white, the wedding guests laugh and look up around the couple.
  • Friends gather close around the newlyweds for a group photo on a winter afternoon in Japan.

Into the Pines

Later, we went into the forest with just the two of them.

Winter light in the mountains arrives from a low angle and leaves early. By then the sun had dropped between the trunks, and the edges of the snow had gone warm where they caught the last of it.

It looked considerably warmer than it was.

They laughed through most of it. We kept moving. The snow had given her exactly the landscape she had imagined when she chose Karuizawa.

The bride and groom stand close among tall pines and fresh snow at their ANELLI Karuizawa wedding.
The bride and groom laugh together, her pink bouquet in the foreground and snowy trees behind.
The bride and groom laugh as they walk through the snow, low sun lighting the pines behind them.
The couple stand beneath tall snow-laden pines beside the curved stone wall at ANELLI Karuizawa.
The low winter sun breaks through the pines behind the bride and groom at their Karuizawa winter wedding.
The bride and groom kiss in the snowy pines with the winter sun low between the trunks.
  • The couple among snow-covered pines, the bride in a white stole holding pink roses.
  • The bride and groom walk together through a snowy pine forest in late afternoon light.
  • Tall pines heavy with snow rise above the bride and groom in the forest.
  • In black and white, the couple walk arm in arm through a snowy forest.

An ANELLI Karuizawa Wedding, After Dark

Then the wedding changed temperature. Inside, the winter coats disappeared. The reception room had a chandelier beneath a high dome, round tables dressed for dinner and, later, fountains of cold sparks on either side of the couple.

They danced their way into the room. That settled the tone fairly quickly.

In black and white, the couple enter the reception under a chandelier with their arms in the air.
  • The bride and groom raise their hands as they dance into the domed reception room at ANELLI Karuizawa.
  • The couple in silhouette against a single bright light during the wedding reception.
  • In black and white, the bride and groom dance close among their guests.
  • The bride laughs from her chair as the groom kneels for the garter at the reception.

Some of the speeches came from the screen. When the first dance began, the floor belonged to the two of them. By the first chorus, other couples had joined.

There was also an oironaoshi, the change of attire built into many Japanese wedding receptions. Historically the word refers to changing colour. She went from white to white. The second dress was simply shorter and considerably better equipped for what came next.

She used it accordingly.

In black and white, the bride twirls in a short tulle dress as the groom dances beside her.
The bride laughs as she dances with the groom, her lace sleeves catching the light.
In black and white, fountains of cold sparks rise on either side of the couple at their table.
The bride laughs and the groom points up as cold sparks pour down on either side of them.
  • The couple stand between two columns of cold sparks at their ANELLI Karuizawa wedding reception.
  • The bride dances in front of the cold sparks as the groom sings to her with a microphone.
  • In black and white, the groom faces the room from the dance floor.
  • The groom dances with his arm raised beneath the chandelier dome.
  • In black and white, the groom throws his hands up on the dance floor between the round tables.
  • The groom dances under the chandelier with guests seated at round white tables.
  • In black and white, the groom raises a hand to the room as the reception gets going.

The Second Party

Then came the nijikai. Literally the second gathering, it’s the after-party that often follows a Japanese wedding reception once the formal part of the evening is finished.

There was a karaoke machine. This was important.

Our production notes for that part of the evening contained one fairly straightforward objective, and solemnity was not among the requirements.

The groom sang. So did everyone else.

The groom and a guest in a red bow tie sing together, eyes closed, at the reception.
  • In black and white, the groom sings into a microphone at the reception.
  • The groom laughs, microphone in hand, a pink boutonnière on his lapel.
  • In black and white, two men sing at a table late in the evening.

By then it was a room full of friends who had been given music, drinks and no particularly persuasive reason to go to bed. Which was exactly right.

In black and white, the bride leans back mid-dance as the party carries on late into the night of a winter wedding in Japan.

She’d found us through our website and gone straight to our Instagram. Before booking she wrote, “I am looking through all your photos on Instagram and I’m soooo in love with all of it!!” After her first call with Dee she admitted, “You have no idea how many times I checked my email coz I didn’t want you to think I’m not interested!”

She needn’t have worried.

A Little Bit of Snow

At some point that evening, it began again. Not another 27 centimetres. Nothing dramatic. Just snow moving through the dark.

We went outside with them for a few minutes, back towards the gate. The air was cold enough that you could see his breath. Snow caught in the light around them and disappeared as quickly as it arrived.

Snow falls in the night around the bride and groom at an iron gate, his breath visible in the cold.

Months earlier, while deciding between Mt Fuji and Karuizawa, she had asked for “a little bit of snow.” The weather had interpreted that request generously. By the end of the night, Karuizawa had come back to the original brief.

Just the two of them outside.

Japan already home.

And a little bit of snow.